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The interest in suiseki was born in China about 2000 years ago, whereas it exists in Japan 

almost since the VI century A.C. The term comes from the joining of the words “sui” – water – and “seki” – stone – and derives from the ancient habit of creating miniature landscapes in trays full of water.

 
   
 


Usually suiseki
that represent Summer and Spring landscapes are displayed using a tray full of sand (suiban), giving the whole arrangement the feeling of freshness conveyed by a shore, whereas in Autumn and Winter they’re set on a wooden base (daiza), built in order to perfectly adapt to the

shape of the stone base and enhance its beauty.

 
 


Suiseki have to be endowed with certain features such as colour, not too bright, and shape, usually asymmetric, to be interesting.
Suiseki can’t be altered by man, the stones that are cut lose their value; only their neatness is allowed, accomplished with a hard brush if there are calcareous inclusions.
Suiseki have to be smoothed by hand in order to achieve with time a bright natural shine.
 

 
     


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